Tracking the White Shadow, a special immersive performance co-designed by the artist and the curator, will take place during the exhibition. As spring arrives, the sun seems to expand. Dazzling light, moving shadows, the canvas and the performers’ bodies are the elements that constitute the charm of Tracking the White Shadow. The audience will travel through the space as dancers move freely and interact with the paper, and witness the creation of a cyanotype work. The performers enter gently, and the audience naturally blends into it. Their parallel and intertwined relationship begins and ends naturally. That is the art of the time. The performance itself becomes an indispensable part of the exhibition.
                                                                                                                                                                               ----Liang Hai

Tracking the White Shadow. Performer: Izumi Ashizawa and Zhiwei Wu ©Han Qin, Photo by JoJo Zhang, courtesy Fou Gallery

Tracking the White Shadow. Performer: Izumi Ashizawa and Zhiwei Wu ©Han Qin, Photo by JoJo Zhang, courtesy Fou Gallery

Tracking the White Shadow. Performer: Izumi Ashizawa and Zhiwei Wu ©Han Qin, Photo by JoJo Zhang, courtesy Fou Gallery

Tracking the White Shadow. Performer: Lu (Shirley) Dai and Zhiwei Wu ©Han Qin, Photo by Christopher Buckheit, courtesy Fou Gallery

* Immersive performance Tracking the White Shadow is conceived by artist Han Qin and curator
Hai Liang. Music: Matthew Barnson’s Vanitas; Performer: Izumi Ashizawa (special guest), Can
Wang, Lu (Shirley) Dai, Jingjing Han, and Zhiwei Wu. Visual design: Lin Jing, DoDo Xinyu
Zhang. Special thanks to Amy Yopp Sullivan for her early stage development work, and to
previous dancers Wing Kar Chin, Ashtyn Muzio, Lydia Myers, Destiny Terry, and Kelly Smith.

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